Meaning of āϏāĻžāĻšāĻŋāĻ¤ā§āϝ⧰āĻĨā§€ in Assamese & English | Nahor āĻ…āĻ­āĻŋāϧāĻžāύ Meaning of āϏāĻžāĻšāĻŋāĻ¤ā§āϝ⧰āĻĨā§€ in Assamese & English | Nahor āĻ…āĻ­āĻŋāϧāĻžāύ
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Common Noun āϜāĻžāϤāĻŋāĻŦāĻžāϚāĻ• āĻŦāĻŋāĻļ⧇āĻˇā§āϝ
āϏāĻžāĻšāĻŋāĻ¤ā§āϝ (āĻ—āĻĻā§āϝ, āĻĒāĻĻā§āϝ, āĻĒā§ā§°ā§ąāĻ¨ā§āϧ, āωāĻĒāĻ¨ā§āϝāĻžāϏ āφāĻĻāĻŋ) āĻļāĻžāĻ¸ā§āĻ¤ā§ā§°āϤ āĻĒāĻžā§°ā§āĻ—āϤ āϞ⧋āĻ• ⧎

āϏāĻŽāĻžā§°ā§āĻĨāĻ• āĻļāĻŦā§āĻĻ

One who is devoted to the study or writing of literature.
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Proper Noun āϏāĻ‚āĻœā§āĻžāĻžāĻŦāĻžāϚāĻ• āĻŦāĻŋāĻļ⧇āĻˇā§āϝ
āĻ…āϏāĻŽā§€ā§ŸāĻž āĻ­āĻžāώāĻž-āϏāĻžāĻšāĻŋāĻ¤ā§āϝ⧰ āĻāĻ• āĻ…āĻ—ā§ā§°āĻŖā§€ āĻĒāĻĨāĻĒāĻĻā§°ā§āĻļāĻ• āφāĻ›āĻŋāϞ āϞāĻ•ā§āĻˇā§āĻŽā§€āύāĻžāĻĨ āĻŦ⧇āϜāĻŦā§°ā§ā§ąāĻž ⧎ āĻ•āĻŦāĻŋāϤāĻž, āύāĻžāϟāĻ•,āĻ—āĻ˛ā§āĻĒ, āωāĻĒāĻ¨ā§āϝāĻžāϏ, āĻĒā§ā§°ā§ąāĻ¨ā§āϧ, ā§°āĻŽā§āϝ⧰āϚāύāĻž, āϏāĻŽāĻžāϞ⧋āϚāύāĻž, āĻĒā§ā§°āĻšāϏāύ, āĻœā§€ā§ąāύ⧀, āφāĻ¤ā§āĻŽāĻœā§€ā§ąāύ⧀, āĻļāĻŋāĻļ⧁āϏāĻžāĻšāĻŋāĻ¤ā§āϝ, āχāϤāĻŋāĻšāĻžāϏ āĻ…āĻ§ā§āϝ⧟āύ, āϏāĻžāĻ‚āĻŦāĻžāĻĻāĻŋāĻ•āϤāĻž āφāĻĻāĻŋ āϏāĻ•āϞ⧋ āĻĻāĻŋāĻļāϤ⧇ āĻŦ⧇āϜāĻŦā§°ā§ā§ąāĻžāχ āĻ…āĻŽā§‚āĻ˛ā§āϝ āĻ…ā§ąāĻĻāĻžāύ āφāĻ—āĻŦā§āĻžāχ āĻ—ā§ˆāϛ⧇ ⧎ āĻ•ā§ƒāĻĒāĻžāĻŦā§° āĻŦā§°ā§ā§ąāĻž āĻ›āĻĻā§āĻŽāύāĻžāĻŽāϤ⧋ āĻŦ⧇āϜāĻŦā§°ā§ā§ąāĻžāχ āĻ…āύ⧇āĻ• āĻ•ā§ƒāĻĒāĻžāĻŦā§°ā§€ āϏāĻžāĻšāĻŋāĻ¤ā§āϝ āϏ⧃āĻˇā§āϟāĻŋ āϕ⧰āĻŋ āĻāϜāύ āϏāĻŽāĻžāϜ āϏāĻ‚āĻ¸ā§āĻ•āĻžā§°āĻ• āĻšāĻŋāϚāĻžāĻĒ⧇ āϚāĻŋāύāĻžāĻ•āĻŋ āĻĻāĻŋāϛ⧇⧎ āϏ⧇āχāĻŦāĻžāĻŦ⧇āχ āĻŦ⧇āϜāĻŦā§°ā§ā§ąāĻžāĻ• āϏāĻžāĻšāĻŋāĻ¤ā§āϝ⧰āĻĨā§€, ā§°āϏ⧰āĻžāϜ āφāĻ–ā§āϝāĻž āĻĻāĻŋ⧟āĻž āĻšā§Ÿ ⧎ āĻŦ⧇āϜāĻŦā§°ā§ā§ąāĻžā§° āϜāĻ¨ā§āĻŽ āĻšā§Ÿ ā§§ā§Žā§Ŧā§Ž āϚāύāϤ āĻŽā§°āύ⧈āĻĒāĻžā§°ā§° āφāĻšāρāϤāϗ⧁⧰āĻŋ āύāĻžāĻŽā§‡ āĻ āĻžāχāϤ ⧎ āĻĻ⧇āωāϤāĻžāϕ⧰ āϚāĻžāϕ⧰āĻŋā§° āĻŦāĻĻāϞāĻŋā§° āϞāϗ⧇ āϞāϗ⧇ āĻ•ā§ā§°āĻŽā§‡ āϤ⧇āϜāĻĒ⧁⧰, āϞāĻ–āĻŋāĻŽāĻĒ⧁⧰, āĻ—ā§ā§ąāĻžāĻšāĻžāĻŸā§€ āφāĻĻāĻŋ āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āύ āĻ āĻžāχāϤ āĻļāĻŋāĻ•ā§āώāĻž āĻ—ā§ā§°āĻšāĻŖ āϕ⧰āĻŋ āĻļ⧇āώāϤ āĻ•āϞāĻŋāĻ•āϤāĻžāϤ āωāĻšā§āϚ āĻļāĻŋāĻ•ā§āώāĻž āĻ—ā§ā§°āĻšāĻŖ āϕ⧰⧇ ⧎ āĻ•āϞāĻŋāĻ•āϤāĻžāϤ āĻĨāĻžāϕ⧋āϤ⧇āχ āϚāĻ¨ā§āĻĻā§ā§°āϕ⧁āĻŽāĻžā§° āφāĻ—ā§°ā§ąāĻžāϞāĻž āφ⧰⧁ āĻšā§‡āĻŽāϚāĻ¨ā§āĻĻā§ā§° āĻ—ā§‹āĻ¸ā§āĻŦāĻžāĻŽā§€ā§° āϞāĻ—āϤ⧇ āĻ…āĻ¨ā§āϝāĻžāĻ¨ā§āϝ āĻ•āϞāĻŋāĻ•āϤāĻžāϤ āĻĒā§āĻŋ āĻĨāĻ•āĻž āĻ›āĻžāĻ¤ā§ā§° āϏāĻ•āϞāĻ• āϞāĻ—āϤ āϞ⧈ "āĻ…āϏāĻŽā§€ā§ŸāĻž āĻ­āĻžāώāĻž āωāĻ¨ā§āύāϤāĻŋ āϏāĻžāϧāĻŋāύ⧀ āϏāĻ­āĻž" āύāĻžāĻŽā§‡ āĻāĻ–āύ āϏāĻ­āĻž āĻ¸ā§āĻĨāĻžāĻĒāύ āϕ⧰⧇⧎ āĻāχ āϏāĻ­āĻžā§° āĻŽā§āĻ–āĻĒāĻ¤ā§ā§° āĻšāĻŋāϚāĻžāĻĒ⧇ ā§§ā§Žā§Žā§¯ āϚāύāϤ āϤ⧇āĻ“āρāϞ⧋āϕ⧇ 'āĻœā§‹āύāĻžāϕ⧀' āύāĻžāĻŽā§‡ āĻāĻ–āύ āφāϞ⧋āϚāύ⧀ āĻĒā§ā§°āĻ•āĻžāĻļ āϕ⧰⧇⧎ 'āĻœā§‹āύāĻžāϕ⧀' āφāϞ⧋āϚāύ⧀⧰ āϏāĻŽā§āĻĒāĻžāĻĻāύāĻžā§° āωāĻĒā§°āĻŋāĻ“ āϤ⧇āĻ“āρ ⧧⧝ā§Ļ⧝ āϚāύāϤ āĻĒā§ā§°āĻ•āĻžāĻļ āϕ⧰āĻž 'āĻŦāĻžāρāĻšā§€' āĻ…āϞ⧋āϚāύ⧀⧰ āĻĒā§ā§°āϤāĻŋāĻ¸ā§āĻĨāĻž āφ⧰⧁ āϏāĻŽā§āĻĒāĻžāĻĻāύāĻž āϕ⧰⧇⧎ ⧧⧝⧍⧧ āϚāύāϤ 'āϏāĻĻ⧌ āĻ…āϏāĻŽ āĻ›āĻžāĻ¤ā§ā§° āϏāĻ¨ā§āĻŽāĻŋāϞāύ⧀⧰' āϏāĻ­āĻžāĻĒāϤāĻŋ āĻšā§‹ā§ąāĻžā§° āωāĻĒā§°āĻŋāĻ“ ⧧⧝⧍ā§Ē āϚāύāϤ āĻ—ā§ā§ąāĻžāĻšāĻžāĻŸā§€āϤ āĻŦāĻšāĻž āϏāĻžāĻšāĻŋāĻ¤ā§āϝ āϏāĻ­āĻžā§° āϏāĻ­āĻžāĻĒāϤāĻŋ āĻšā§Ÿ ⧎ āĻŦ⧇āϜāĻŦā§°ā§ā§ąāĻž āĻāϜāύ āφāĻļāĻžāĻŦāĻžāĻĻā§€, āωāĻĻāĻžā§°āĻŽāύ⧰ āφ⧰⧁ āĻĻ⧇āĻļāĻĒā§ā§°ā§‡āĻŽāĻŋāĻ• āϞ⧋āĻ• āφāĻ›āĻŋāϞ⧎ āϏāĻŽāĻžāϜ⧰ āĻĻā§‹āώ-āĻ¤ā§ā§°ā§āϟāĻŋāĻŦā§‹ā§° āφāρāϤ⧰āĻžāχ āϏāĻŽāĻžāϜāĻ–āύ āύāĻŋāĻ•āĻž āϕ⧰āĻŋ āύāϤ⧁āύ āϏāĻŽāĻžāϜ āĻ—ā§āĻžā§° āφāĻļāĻž āϕ⧰āĻŋāĻ›āĻŋāϞ⧎ āĻ…āϏāĻŽā§° āϜāĻžāĻ¤ā§€ā§Ÿ āϏāĻ‚āĻ—ā§€āϤ 'āĻ…' āĻŽā§‹ā§° āφāĻĒā§‹āύāĻžā§° āĻĻ⧇āĻļ' ā§°āϚāύāĻž āϕ⧰āĻŋ āϤ⧇āĻ“āρ āĻ…āϏāĻŽ āĻĒā§ā§°ā§€āϤāĻŋā§° āϚāĻŋāύāĻžāĻ•āĻŋ āĻĻāĻŋāĻ›āĻŋāϞ ⧎ āφāϜāĻŋāĻ“ āĻāχ āϏāĻ‚āĻ—ā§€āϤ āĻ…āϏāĻŽā§° āϏāĻ•āϞ⧋ āϏāĻ­āĻž āĻ…āύ⧁āĻ¸ā§āĻĨāĻžāύāϤ āĻ…āϤāĻŋ āĻļā§ā§°āĻĻā§āϧāĻžā§°ā§‡ āĻ—ā§‹ā§ąāĻž āĻšā§Ÿā§ˇ
Lakshminath Bezbaruah who pioneered the modern Assamese literature occupies a very high position in the field of Indian literature. Born in 1868 in a well-known family of Assam, he had his early education at Sibsagar and his higher education at Calcutta. A many-sided personality- journalist, lecturer, poet and more especially writer- Laksminath Bezbaruah Set a high literary standard through the monthly periodical "Banhi" which he edited and published. A versaltile writer, his works incluide plays, stories, poems, humorous sketches and works of literary criticism. It was perhaps in his plats that he found his best literary expression. His poem "O'mor Apponar Desh" is among the best known songs of Assam. Into Assam's literary tradition he breathed new life. Honours so ught him out in his later life. In 1921, he presided over the All-Assam Students' Conference at Guahati. Two years later he was honoured as "Rasraj" for his humorous writings. He presided over the Guahati session of the Assam Sahitya Sabha in 1924. Lakshminath Bezbaruah was not only a literary figure of outstanding eminence but a istinguished leader of modern Assam.

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āĻāχ āϤāĻĨā§āϝāϏāĻŽā§‚āĻšā§° āĻŦ⧇āĻ›āĻŋāĻ­āĻžāϗ⧇āχ āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āύāϜāύ āĻŦā§āĻ¯ā§ąāĻšāĻžā§°āĻ•āĻžā§°ā§€ā§Ÿā§‡ āφāĻ—āĻŦāĻĸāĻŧā§‹ā§ąāĻž āϏāĻŽāϞ⧰ āĻĒā§°āĻž (community-driven) āϏāĻ‚āĻ—ā§ā§°āĻš āϕ⧰āĻž āĻšā§ˆāϛ⧇ āφ⧰⧁ āχāϝāĻŧāĻžāĻ• "āϝ⧇āύ⧇ āφāϛ⧇ āϤ⧇āύ⧇āĻ•ā§ˆāϝāĻŧ⧇" āφāĻ—āĻŦāĻĸāĻŧā§‹ā§ąāĻž āĻšā§ˆāϛ⧇ āĨ¤ āĻ•āĻŋāϛ⧁āĻŽāĻžāύ āĻļāĻŦā§āĻĻā§° āĻ…ā§°ā§āĻĨ āĻŦāĻž āĻĒāĻĻ (parts of speech) āφāĻĻāĻŋ āĻ…āĻļ⧁āĻĻā§āϧ āĻŦāĻž āĻĒ⧁⧰āĻŖāĻŋ ā§°ā§‚āĻĒāϤ āĻĒā§ā§°āĻ•āĻžāĻļ āĻĒāĻžāĻŦ āĻĒāĻžā§°ā§‡āĨ¤ āĻāχ āϤāĻĨā§āϝāϏāĻŽā§‚āĻšā§° āϏāĻ‚āĻļā§‹āϧāύ āφ⧰⧁ āϏāĻ¤ā§āϝāĻžāĻĒāύ⧰ āĻŦāĻžāĻŦ⧇ āφāĻŽāĻŋ āϧāĻžā§°āĻžāĻŦāĻžāĻšāĻŋāĻ•āĻ­āĻžā§ąā§‡ āĻ•āĻžāĻŽ āϕ⧰āĻŋ āφāϛ⧋āρāĨ¤

āĻāχ āĻ…āύāϞāĻžāχāύ āĻ…āĻ­āĻŋāϧāĻžāύ āĻ–āύ⧰ āĻŦāĻŋāĻˇā§Ÿā§‡ āφāĻĒā§‹āύāĻžā§° āϝāĻŋāϕ⧋āύ⧋ āĻĻāĻŋāĻšāĻž-āĻĒā§°āĻžāĻŽā§°ā§āĻļ āĻĨāĻžāĻ•āĻŋāϞ⧇ āφāĻŽāĻžāĻ• āĻāχ Contact Form āĻ–āύ⧰ āϜ⧰āĻŋ⧟āϤ⧇ āĻĒā§ā§°ā§‡ā§°āĻŖ āϕ⧰āĻŋāĻŦ āĻĒāĻžā§°ā§‡ āĨ¤