Meaning of āĻ—āĻ™ā§āĻ—āĻžāϧ⧰ in Assamese & English | Nahor āĻ…āĻ­āĻŋāϧāĻžāύ Meaning of āĻ—āĻ™ā§āĻ—āĻžāϧ⧰ in Assamese & English | Nahor āĻ…āĻ­āĻŋāϧāĻžāύ
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Proper Noun āϏāĻ‚āĻœā§āĻžāĻžāĻŦāĻžāϚāĻ• āĻŦāĻŋāĻļ⧇āĻˇā§āϝ
āĻŽāĻšāĻžāĻĒ⧁⧰⧁āώ āĻļā§ā§°ā§€āĻŽāĻ¨ā§āϤ āĻļāĻ™ā§āϕ⧰āĻĻā§‡ā§ą (ā§§ā§Ēā§Ē⧝-ā§§ā§Ģā§Ŧā§Ž) āĻ…āϏāĻŽā§° āĻ¨ā§ą-āĻŦ⧈āĻˇā§āĻŖā§ą āĻ§ā§°ā§āĻŽā§° āĻĒā§ā§°āϚāĻžā§°āĻ• ⧎ āĻ…āϏāĻŽā§° āĻ§ā§°ā§āĻŽ, āϏāĻŽāĻžāϜ, āϏ⧁āϕ⧁āĻŽāĻžā§° āĻ•āϞāĻž, āϏāĻžāĻšāĻŋāĻ¤ā§āϝ-āϏāĻ‚āĻ¸ā§āĻ•ā§ƒāϤāĻŋ āϏāĻ•āϞ⧋ āĻ•ā§āώ⧇āĻ¤ā§ā§°āϤ⧇ āĻļāĻ™ā§āϕ⧰āĻĻā§‡ā§ąā§° āĻ…ā§ąāĻĻāĻžāύ āĻŦāĻŋā§°āϞ ⧎ ā§§ā§Ēā§Ē⧝ āϚāύāϤ āύāĻ—āĻžāĻā§ąā§° āφāϞāĻŋāĻĒ⧁āϖ⧁⧰āĻŋ āύāĻžāĻŽā§‡ āĻ āĻžāχāϤ āĻŦāĻžā§°-āĻ­ā§‚āĻžāĻžāρ⧰ āĻŦāĻ‚āĻļāϤ āϤ⧇āϖ⧇āϤ⧰ āϜāĻ¨ā§āĻŽ āĻšā§Ÿ ⧎ āĻŦāĻžā§° āĻŦāϛ⧰ āĻŦ⧟āϏāϤ āϤ⧇āϖ⧇āϤ⧇ āĻŽāĻšā§‡āĻ¨ā§āĻĻā§ā§° āĻ•āĻ¨ā§āĻĻāϞ⧀⧰ āĻŸā§‹āϞāϤ āĻļāĻŋāĻ•ā§āώāĻž āĻ—ā§ā§°āĻšāĻŖ āϕ⧰āĻŋ āĻ…āϤāĻŋ āĻ•āĻŽ āĻĻāĻŋāύ⧰ āĻ­āĻŋāϤ⧰āϤ⧇ āϕ⧋āύ⧋ āĻŽāĻžāĻ¤ā§ā§°āĻž āύ⧋āĻšā§‹ā§ąāĻžāĻ•ā§ˆ āĻāĻ• āĻ…āύ⧁āĻĒāĻŽ āĻ•āĻŦāĻŋāϤāĻž (āϕ⧰āϤāϞ āĻ•āĻŽāϞ āĻ•āĻŽāϞ āĻĻāϞ āύ⧟āύ) ā§°āϚāύāĻž āϕ⧰āĻŋ āύāĻŋāϜ⧰ āĻĒā§ā§°āϤāĻŋāĻ­āĻžā§° āĻĒā§°āĻŋāϚāϝ āĻĻāĻŋāĻ›āĻŋāϞ ⧎ ā§°āϚāύāĻžā§°ā§€āϤāĻŋ āĻ…āύ⧁āϏ⧰āĻŋ āĻļāĻ™ā§āϕ⧰āĻĻā§‡ā§ąā§° ā§°āϚāύāĻžāĻ• āĻ›āϟāĻž āĻ­āĻžāĻ—āϤ āĻ­āĻ—āĻžāĻŦ āĻĒāĻžā§°āĻŋ (ā§§) āĻ…āύ⧁āĻŦāĻžāĻĻāĻŽā§‚āϞāĻ•- āĻ­āĻžāĻ—ā§ąāϤ⧰ āĻĒā§ā§°āĻĨāĻŽ, āĻĻā§āĻŦāĻŋāĻ¤ā§€ā§Ÿ, āĻĻāĻļāĻŽ, āĻāĻ•āĻžāĻĻāĻļ āφ⧰⧁ āĻĻā§āĻŦāĻžāĻĻāĻļ āĻ¸ā§āĻ•āĻ¨ā§āϧ'ā§° āĻ…āύ⧁āĻŦāĻžāĻĻ, āωāĻ¤ā§āϤ⧰āĻžāĻ•āĻžāĻŖā§āĻĄ ā§°āĻžāĻŽāĻžā§ŸāĻŖ (⧍) āĻ•āĻžāĻŦā§āϝ- āĻšā§°āĻŋāĻļā§āϚāĻ¨ā§āĻĻā§ā§° āωāĻĒāĻžāĻ–ā§āϝāĻžāύ, ⧰⧁āĻ•ā§āĻŽāĻŋāύ⧀āĻšā§°āĻŖ, āĻŦāϞāĻŋāĻ›āϞāύ, āĻ…āĻŽā§ƒāϤ āĻŽāĻ¨ā§āĻĨāύ, āϕ⧁⧰⧁āĻ•ā§āώ⧇āĻ¤ā§ā§°, āĻ…āϜāĻžāĻŽāĻŋāϞ āωāĻĒāĻžāĻ–ā§āϝāĻžāύ (ā§Š) āĻ…āĻ‚āĻ•ā§€ā§ŸāĻž āύāĻžāϟ- āĻĒāĻ¤ā§āύ⧀āĻĒā§ā§°āϏāĻžāĻĻ, āĻ•āĻžāϞāĻŋ⧟āĻžāĻĻāĻŽāύ, āϕ⧇āϞāĻŋāĻ—ā§‹āĻĒāĻžāϞ, ⧰⧁āĻ•ā§āĻŽāĻŋāύ⧀ āĻšā§°āĻŖ, āĻĒāĻžā§°āĻŋāϜāĻžāϤ āĻšā§°āĻŖ, ā§°āĻžāĻŽāĻŦāĻŋāϜ⧟ (ā§Ē) āĻ—ā§€āϤ- āĻŦā§°āĻ—ā§€āϤ, āĻ­āϟāĻŋāĻŽāĻž (ā§Ģ) āύāĻžāĻŽ āĻĒā§ā§°āϏāĻ™ā§āĻ—- āĻ•ā§€ā§°ā§āϤāύ, āϗ⧁āĻŖāĻŽāĻžāϞāĻž (ā§Ŧ) āĻ­āĻ•ā§āϤāĻŋāϤāĻ¤ā§āĻ¤ā§āĻŦ- āĻ­āĻ•ā§āϤāĻŋ ā§°āĻ¤ā§āύāĻžāϕ⧰, āĻ­āĻ•ā§āϤāĻŋ āĻĒā§ā§°āĻĻā§€āĻĒ ā§ˇ āĻļāĻ™ā§āϕ⧰āĻĻā§‡ā§ąā§‡ āĻĒā§‹āύāĻĒā§ā§°āĻĨāĻŽāĻŦāĻžā§°ā§° āĻ•āĻžā§°āϪ⧇ 'āϚāĻŋāĻšā§āύāϝāĻžāĻ¤ā§ā§°āĻž' āύāĻžāϟ āϞāĻŋāĻ–āĻŋ āĻĒāϟāϤ āϚāĻŋāĻ¤ā§ā§° āφāρāĻ•āĻŋ āϏāĻžāϤ āĻŦ⧈āϕ⧁āĻŖā§āĻ ā§° āϤāĻžā§ŽāĻĒā§°ā§āϝ āĻŦā§āϝāĻžāĻ–ā§āϝāĻž āϕ⧰āĻŋāĻ›āĻŋāϞ ⧎ āĻ•ā§€ā§°ā§āϤāύ āϤ⧇āϖ⧇āϤ⧰ āĻ•āĻŦāĻŋāĻ¤ā§āĻŦā§° āĻļā§ā§°ā§‡āĻˇā§āĻ  āύāĻŋāĻĻā§°ā§āĻļāύ āφ⧰⧁ āĻ…āϏāĻŽā§€ā§ŸāĻž āϏāĻžāĻšāĻŋāĻ¤ā§āϝ⧰ āĻ•ā§€ā§°ā§āϤāĻŋāĻ¸ā§āϤāĻŽā§āĻ­ ⧎ āĻ…āϏāĻŽā§€ā§ŸāĻž āϏāĻ‚āĻ¸ā§āĻ•ā§ƒāϤāĻŋāϞ⧈ āύāĻžāĻŽāϘ⧰, āϏāĻ¤ā§ā§°, āĻ–ā§‹āϞ, āφ⧰⧁ āĻŽā§āĻ–āĻžāĻļāĻŋāĻ˛ā§āĻĒ āφ⧰⧁ āϏāĻ¤ā§ā§°ā§€ā§ŸāĻžāύ⧃āĻ¤ā§ā§°ā§° āĻ•ā§āώ⧇āĻ¤ā§ā§°āϤ āĻļāĻ™ā§āϕ⧰āĻĻā§‡ā§ąā§° āĻ…ā§ąāĻĻāĻžāύ āωāĻ˛ā§āϞ⧇āĻ–āϝ⧋āĻ—ā§āϝ ⧎ ā§§ā§Ģā§Ŧā§Ž āϚāύāϤ āĻĒā§ā§°āĻžā§Ÿ āĻ›āϕ⧁⧰āĻŋ āĻŦāϛ⧰ āĻŦ⧟āϏāϤ āĻļāĻ™ā§āϕ⧰āĻĻā§‡ā§ąā§° āĻŦ⧈āϕ⧁āĻŖā§āĻ āĻĒā§ā§°ā§ŸāĻžāĻŖ āĻšā§Ÿ ⧎
Mahapurusha Srimanta Sankardeva (1449-1568) saint-scholar, playwright,social-religious reformer, is a colossal figure in the cultural and religious history of Assam, India. Sankaradeva was born into the Shiromani (chief) Baro-Bhuyans family, near Bordowa in Nagaon in a village called Ali-pukhuri. He began attending the tol or chatrasaal(school) of the renowned scholar Mahendra Kandali at the age of twelve and soon wrote his first verses: karatalakamala kamaladalanayana | His literary works, we can divide in Six part as (1) Transliteration- Bhagavat (Book VI, VIII, I, II, VII, X, XI, XII; IX not available), Ramayana (uttarakanda). (2) Poetic works (kavya)- Harischandra-upakhyana, Rukmini-harana, Ajamilopakhyana, Bali-chalana Kurukshetra-yatra, Amrta-manthana. (3) Drama (Naat)- Patni-prasada, Kalia-damana, Keli-gopala, Rukmini-harana, Parijata-harana, Ram-vijay.(4) Songs - Borgeet, Bhatima (5) NamPrasang- Kirtana-ghosha, Gunamala.(6) Bhakti Theory- Bhakati-pradipa, Bhakti Ratnakara. Sattriya dance, that Sankaradeva first conceived and developed and which was later preserved for centuries by the sattras, is now among the classical dance forms of India.Thus, in 1568, after leading a most eventful life dedicated to enlighten humanity; the Mahapurusha passed away - within six months of his stay at Bheladonga -at the remarkable age of 120 years.

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āĻāχ āϤāĻĨā§āϝāϏāĻŽā§‚āĻšā§° āĻŦ⧇āĻ›āĻŋāĻ­āĻžāϗ⧇āχ āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āύāϜāύ āĻŦā§āĻ¯ā§ąāĻšāĻžā§°āĻ•āĻžā§°ā§€ā§Ÿā§‡ āφāĻ—āĻŦāĻĸāĻŧā§‹ā§ąāĻž āϏāĻŽāϞ⧰ āĻĒā§°āĻž (community-driven) āϏāĻ‚āĻ—ā§ā§°āĻš āϕ⧰āĻž āĻšā§ˆāϛ⧇ āφ⧰⧁ āχāϝāĻŧāĻžāĻ• "āϝ⧇āύ⧇ āφāϛ⧇ āϤ⧇āύ⧇āĻ•ā§ˆāϝāĻŧ⧇" āφāĻ—āĻŦāĻĸāĻŧā§‹ā§ąāĻž āĻšā§ˆāϛ⧇ āĨ¤ āĻ•āĻŋāϛ⧁āĻŽāĻžāύ āĻļāĻŦā§āĻĻā§° āĻ…ā§°ā§āĻĨ āĻŦāĻž āĻĒāĻĻ (parts of speech) āφāĻĻāĻŋ āĻ…āĻļ⧁āĻĻā§āϧ āĻŦāĻž āĻĒ⧁⧰āĻŖāĻŋ ā§°ā§‚āĻĒāϤ āĻĒā§ā§°āĻ•āĻžāĻļ āĻĒāĻžāĻŦ āĻĒāĻžā§°ā§‡āĨ¤ āĻāχ āϤāĻĨā§āϝāϏāĻŽā§‚āĻšā§° āϏāĻ‚āĻļā§‹āϧāύ āφ⧰⧁ āϏāĻ¤ā§āϝāĻžāĻĒāύ⧰ āĻŦāĻžāĻŦ⧇ āφāĻŽāĻŋ āϧāĻžā§°āĻžāĻŦāĻžāĻšāĻŋāĻ•āĻ­āĻžā§ąā§‡ āĻ•āĻžāĻŽ āϕ⧰āĻŋ āφāϛ⧋āρāĨ¤

āĻāχ āĻ…āύāϞāĻžāχāύ āĻ…āĻ­āĻŋāϧāĻžāύ āĻ–āύ⧰ āĻŦāĻŋāĻˇā§Ÿā§‡ āφāĻĒā§‹āύāĻžā§° āϝāĻŋāϕ⧋āύ⧋ āĻĻāĻŋāĻšāĻž-āĻĒā§°āĻžāĻŽā§°ā§āĻļ āĻĨāĻžāĻ•āĻŋāϞ⧇ āφāĻŽāĻžāĻ• āĻāχ Contact Form āĻ–āύ⧰ āϜ⧰āĻŋ⧟āϤ⧇ āĻĒā§ā§°ā§‡ā§°āĻŖ āϕ⧰āĻŋāĻŦ āĻĒāĻžā§°ā§‡ āĨ¤